The compander is like a very subtle expander, with one of the modes dedicated to expanding only the highs (UBX II B I think? It was used for vocals on a tone of records). The azimuth control is really nice for tearing mono sounds into the stereo field. download full Crack - DOWNLOAD (Mirror 1).
Use the Leveling Tool to compress your recordings and add analog-style saturation. Perfect for compressing vocals, but also useful on instrument channels and the master bus. You really have to work it to get that grit out of it on clean sources, but that's probably desirable from a tape emu. More importantly, it is one of the best LA-2A plugins you can get, free or not.
The pre-emphasis knob threw me off for some time, but it basically just fills in the "gap" when you have the tape heads far apart and/or running at a very slow ips and don't want the tonal coloration. It adds that sub octave to signals (depending on how hard you drive it) like a tape machine is supposed to. It goes really well with Bazille, it can just completely destroy a bass line in unbelievable ways. Delay mode can also do some really unique vibrato sounds that are kind of springy and chirpy sounding. Extremely short delay times with the 4 heads, cranking the feedback, and heavily filtering it just right sounds like I'm running it through a blasting speaker. U-he Satin is awesome, it's flanger is one I would use, and it's delay mode is great for all sorts of creative uses you wouldn't normally use a one for. mpressors/ which compared favorably to the Waves plugins (which I don't own) in a shootout I heard.
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